1/11/2024 0 Comments Seismic audio splitter snake![]() Buy splitter snake cables for the best connection between the stage and the mixer. XLR connectors make it easy to attach the splitter snake cable to amps and mixers without additional converters. Each pair of heavy duty conductors is individually shielded, producing crystal clear sound while rejecting extraneous noise. Splitter snake cables feature the basic Y splitter setup. Splitter snakes are available from 16 channel to 32 channels. Splitter snake cables from Seismic Audio Speakers are available in a variety of sizes to meet your band's needs. Each model comes with the option of two 15 foot trunks or a 15 foot and a 30 foot trunk. Splitter snakes are available in 16 channel, 24 Channel and 32 channel configurations. That gives you full control over the sound of the live recording, making for an easier and better sounding session. This will give you the full audio picture of what is happening on stage, unaffected by changes made to the sound at the front-of-house mixing position. The other option is sending the second fantail to a recording device, whether it is a hard disk recorder or a computer recording interface. This is how the big sound companies do it and now you can, too, at a fraction of the price. One option is feeding an onstage monitor mixing board. The second fantail gives you unique opportunities, however. One of the two fantails will be sent to the front-of-house mixing position, as usual. The input box will be placed on stage and all instruments plugged into it. Both will work in a similar way, made possible by the Seismic Audio Speakers splitter snake cable. The two most popular are live recording and monitor mixing. There are many reasons this can be useful to the professional musician or sound engineer. Infinitely better quality work on the shrink work on the fan, and is just a far superior product.Seismic Audio offers 2 different kinds of Splitter Snake Cable, Standard and Rack Mountable! Splitter snake cables take the inputs from the stage and then, through a hardwired Y cable split, send identical signals to the two different fantails attached to the input box. It's all neutrik, good quality belden multicore, and is easy to work with. I don't have any EWI snakes, so but have heard good things, and if EWI's bulk mic quad mic cable is any indication, is probably a very good product. If you're on a budget, go get a CBI or EWI if you can't afford the high end stuff. Thus far I haven't had any problems with it, but that's mainly because it doesn't really get "used" in the traditional sense (it never uncoils).įor a permanent install, they might be passible, but I certainly wouldn't use one in the traditional sense. I ring it out with a cable tester after every use. ![]() It'll hold up as long as you don't uncoil it, so in short, don't use their stage snakes as well, snakes, because the cable will probably fall apart after regular use. ![]() I drop it on the stage next to the FOH stage box, bring in my "real" snake and patch everything in one place. The only way I use this thing is to not uncoil it. The ends are passible but far from ideal. The cable is stupidly heavy (this thing weighs almost as my 32x8 150' CBI that has good quality lo-cap Belden, but only has 45' of multicore). The outer jacket is abysmal, it doesn't over under well at all, and you can feel the inner channels move around under the jacket when you manipulate the cable. It's got a ridiculous OD (for example, it's almost twice the OD Of my 40 channel "real" snake with only about half the channels). I knew it was a cheap POS going into it, and knew what I was getting into. I've got one of Seismic's 24 channel 15/30' splitter snakes.
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